20 Awesome Songs from Rock’s Greatest Decade


Sly & The Family Stone at Woodstock

A wistful view of rock’s greatness from someone who came of age with the Beatles

First of all, some definitions and caveats.

This is not a list of the 20 greatest songs in rock history. Been there. Done that. Can’t be done (at least by me).

So instead, I have chosen what I consider rock’s greatest decade, and selected 20 songs that I believe define it best.

These are not only my favorite songs. The bands or artists I have listed have to be well-known…hell, iconic. Their songs must be durable, popular and, most of all, consequential. I lived through it all and followed it closely, so please give me a little room here.

What is Rock’s Greatest Decade?

There are really no precise or obvious dates that define the beginning and end of rock’s golden era. Even if I gave you a month and year either way, a couple of these songs would sidestep my imaginary boundary lines.

In my opinion, rock’s greatest decade began in the mid-sixties with the advent of the Beatles, who remain rock’s gold standard.

Rock’s greatest decade ended in the mid-seventies, with punk and disco muddying rock’s dominance. Rock will never die (The Who says so!), but there has been a steady decline in rock’s influence in popular music.

By the way, since my rock era began with the Beatles, some genuine rock pioneers–Elvis Presley, Buddy Holly, Jerry Lee Lewis and Ray Charles, among many others–are not on the list. A good many people, The Beatles included, believe rock ‘n’ roll began with Elvis. That’s fine by me. It was just before my time.


John Lennon’s “Imagine,” along with Marvin Gaye’s “What’s Going On” are two consequential songs that didn’t make the list. Painting by Dolya Goutman.

So here we go:

20.  “Stand” – Sly & The Family Stone

At the intersection of psychedelic and soul is this cleverly worded manifesto, from the 1969 album that also included “Everyday People.” Smart lyrics: Stand/For the things that you know are right/It’s the truth that the truth makes them so uptight…Stand/Don’t you know that you are free/Well, at least in your mind if you want to be.

19. “American Girl” – Tom Petty

Petty makes the list with a cut off his 1977 debut album that didn’t even make the charts until it was re-released in 1994. A great song that could rev up any party with that irresistible “Bo Diddley beat.”

18.  “Truckin'” – Grateful Dead

A prime cut from the Dead’s masterpiece 1970 album, American Beauty. The song’s lyric, “What a long, strange trip it’s been” remains an iconic metaphor to the rock generation…my generation.

17. “Hotel California” – Eagles

Eagles (the late Glen Frey was adamant about his band being named Eagles, as opposed to The Eagles) already had a truckload of hits when guitarist Joe Walsh joined the band in 1975. The title song from Hotel California was a delicious mish-mash of dueling guitars, Spanish-scented mysticism, and the dire, “You can check out anytime you like, but you can never leave.”

16.  “Piano Man” – Billy Joel

It’s not my favorite Billy Joel song–I favor “The Stranger” and “Scenes from an Italian Restaurant”–but you can’t deny its durability and impact on popular culture. It’s one of those songs you have to sing along to. Courtesy of YouTube:

15. “Thunder Road” – Bruce Springsteen

Among only eight songs on Bruce Springsteen’s ground-breaking Born to Run routinely tops many of those radio stations’ greatest song countdowns on holiday weekends. “Thunder Road” is perhaps Springsteen’s most beloved song. And Clarence Clemon’s sax coda is…pure Bruce.

14. “Bohemian Rhapsody” – Queen

Freddie Mercury wrote this 1975 tour de force: a six-minute rock “suite” with no chorus. Scaramouch, scaramouch, will you do the fandango…Galileo Figaro/magnifico! Despite the song’s length (just under six minutes), Queen insisted on releasing it as a single, and it remains the third biggest selling song in British pop history.

Joni Mitchell & Graham Nash

13.  “Free Man in Paris” – Joni Mitchell

“Free Man in Paris” meets Joni’s legendary standard of excellence, but the song is elevated by this twist: Mitchell takes on the persona of rock mogul David Geffen, who allegedly accompanied Joni  (along The Band’s Robbie Robertson) on a trip to Paris before the recording of Court and Spark. The lyrics have “mogul” stamped all over them: I was a free man in Paris/I was unfettered and alive/Nobody calling me up for favors/No one’s future to decide…Stoking the star-maker machinery behind the popular song.

Bonus round: David Crosby and Graham Nash sang backing vocals.

12. “Pinball Wizard” – The Who

Even though the story of deaf, dumb and blind boy who “played a mean pinball” was a bit outlandish, Pete Townshend’s songs were tuneful and incredibly pleasing. No opera. The passage, “See me, feel me, touch me, heal me,” was deployed throughout the album, was, at the time…heavy, man.

11. “Levon” – Elton John

Bernie Taupin’s lyrics: He was born a pauper to a pawn on Christmas Day/When the New York Times said God was dead and the war’s begun/Alvin Tostig had a son today. Was the son, Levon, named for Levon Helm of The Band fame? Who knows. What I know is that “Levon” is the finest song from perhaps the most prolific recording artist in the rock era.

10. “I Want To Hold Your Hand” – The Beatles

That Beatles album pictured above, and its most enduring cut, “I Want To Hold Your Hand,” changed my life. I grew my hair and had my own Cavern Club in the family garage. The early Beatles were heavily influenced by skiffle, a buzz-saw, fast-paced style of music…and we were all ready to dance joyfully. It was the one and only time I danced with my parents.

9. “Tangled Up in Blue” – Bob Dylan

Bob Dylan’s finest song from Blood on the Tracks is a compelling narrative of wandering, work and an elusive relationship…a song that Dylan remarked, “…took me 10 years to live, two years to write.” My favorite passage: “There was music in the cafes at night, and revolution in the air.”

8. “Good Vibration” – The Beach Boys

Released as a single in 1966, “Good Vibrations” wielded multi-layered harmonies, analog synthesizers and an unusual mix of instruments by LA’s “Wrecking Crew,” including a cello. It was hailed as a psychedelic pop music achievement and Brian Wilson got his masterpiece.

7. “Layla” – Derek & The Dominos

The song was allegedly inspired by a 7th century Arabian love story, Layla and Majnun, about a man who was hopelessly in love with a woman but could not marry her. There is an obvious parallel to Eric Clapton’s love for Pattie Boyd Harrison, George Harrison’s wife, who would eventually divorce George and marry Eric (Harrison attended the wedding). Here is Clapton’s unplugged version, courtesy of YouTube:

6. “Suite: Judy Blue Eyes” – Crosby, Stills & Nash

Stephen Still’s paean to girlfriend Judy Collins was written in a burst of creative enterprise that would endear CSN to rock fans now and forever. Graham Nash remembered, “It was obvious that this was something really new and fresh.”

Stephen Stills

According to Nash:

Stephen [Stills] was an incredibly focused person. Without question he was the leader of the band and there was a reason we called him “Captain Many Hands.” He did nineteen pieces of music that he had written in four fucking months. He had the music. In spades.

5.  “Night Moves” – Bob Seger

A treasure of a song…maybe my personal favorite of all-time. “Night Moves” was about adolescent lust and innocence and the sweet smell of summer.

According to Seger, when a band is in session, they don’t really know if a song will hit it big. But with “Night Moves,” they knew. They knew.

Painting by Dolya Goutman

4.  “Rosalita (Come Out Tonight)” – Bruce Springsteen

Pure exuberance; Rolling Stone magazine called it “a raucous celebration of desire.” The song, about a musician who can’t make it with Rosalita because her parents disapprove of rock ‘n’ roll, begins with an organ jolt and never lets up during its entire seven plus minutes. The closing “Hey hey hey hey” sung in unison was a “bro” moment that sent many  a shiver up people’s spines…mine included.

Bob Dylan’s sixth studio recording for Columbia Records celebrated his conversion to electric music.

3.  “Like a Rolling Stone” – Bob Dylan

Please read my story about the crucial roles that keyboardist Al Kooper and guitarist Mike Bloomfield played in the creation of this rock classic.. number one in Rolling Stone magazine’s “500 greatest Songs of All time.” The plaintive How does it feel/To be on your own/with no direction home/ like a complete unknown/like a rolling stone has special meaning for those of us who lived it.

2.  “Gimme Shelter” – The Rolling Stones

From Keith Richards’ foreboding opening riff through Mick Jagger’s (and Merry Clayton’s) bleak lyrical landscape, “Gimme Shelter” was, according to Jagger, “an end-of-the-world song, really.” The song is, in my opinion, The Rolling Stones’ finest moment of their half-century of music-making.

1. “A Day in the Life” – The Beatles

Banned by the BBC because of the evocative line, “I’d love to turn you on,” “A Day in the Life” is simply this: the greatest recording achievement by the gold standard of rock music. “It was a good piece of work between Paul and me,” John Lennon famously understated. The orchestral build-ups at two intervals in the song involved a 40-piece unit who were instructed to basically, and counter-intuitively, play on their own. Rolling Stone: “Martin and McCartney wanted each musician to begin as quietly as possible and end at what was tantamount to a musical orgasm.”


I fully understand that I left out some serious and respected artists, such as Jimi Hendrix, Neil Young, the Doors, Steely Dan, Led Zeppelin, John Mellencamp, Paul Simon, Cream, the individual Beatles…the list is endless. They simply didn’t have that one song the could fit snugly in this Top 20.

Did I leave out an obvious song? What did I miss? What did I get right? Is the rock era in fact still thriving?

Let me have it in the comments section below. I’ll take on all comers.


Andrew Goutman

Andrew Goutman is the editor of The Record.

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7 Responses

  1. Rick Roth says:

    You can’t leave out Hendrix, probably the most influential artist of the “rock era.” I agree with some of your selections or can at least see your point but gag at the idea of Queen or Billy Joel who are shlock not rock in my book. Hotel California? Overblown. Give me Gram Parsons or the Byrds but not the Eagles, again it is schlock not rock. Springsteen is great, but do he and the Beatles need two in your top twenty? I probably would have the kinks and the Velvet Underground and Bowie and the Stooges for sure in there and probably the Faces, CCR and the Sonics.

    • Rick, I agree with you about Hendrix. “Are You Experienced?” almost made it, but the common choice, “Purple Haze,” isn’t even on my iPod. Still, point well-taken. You know me, Rick. I’m a conventional guy, and I always try to make a consensus choice. I lived through every one of these releases, and they all had a big impact on folks. That was my main criterion. Yes, “Hotel California” is a bit schlocky, but, man, when it came out, people couldn’t stop listening to it. To me, that counts for a lot. And, CCR is interesting. I totally missed them. CCR was the biggest band on the radio in 1968 and ’69. But what song?

  2. Susan Mumpower-Spriggs says:

    Good list. I would cut a few out for my own list and would add a few based on personal preferences and histories with the songs: Stage Fright – The Band; What’s Going On – Marvin Gaye; Dixie Chicken – Little Feat; Bad Reputation – Joan Jett; Mississippi Queen – Mountain; Can’t Explain – The Who; We Gotta Get Out of This Place – The Animals.

  3. Good Vibrations was definitely one of the most disruptive songs I heard during my rock era youth, but Along Comes Mary was the first song that made me perk up and say, What the hell was that?

  4. Rick Roth says:

    For CCR it would be Fortunate Son in my book. as for Hotel California? People listen to lots of bad music, in fact they mostly listen to bad music.

  5. victoid says:

    Ok Andy. Tough task to take on and you did the work and came across with the shit! Well done mon ami.
    However…I cannot stand silently by and permit the defamation (defecation?) of this pantheon of rock titans with the likes of Eagles, Queen, Billy Joel and Elton John- well maybe Sir Elton, but only by a pubic hair. No no no!
    Other than that, reasonable music freaks could, and always will quibble about who should be on this list- or if there should even BE a list. Not to argue or minimize your choices but my 2 cts are: The Boss gets just one and its “Born To Run”, his magnum opus and one of the most powerful and intricately layered rock productions of all time. The Beatles could easily merit several, but “Hold Yer Hand” ain’t one of em. From that era “She Loves You” is the only choice. The Stones get “Sympathy for you know who” and “Midnight Rambler”. Dylan can have “Rolling Stone” but must also acknowledge “Hard Rain” and “Blowin in the Wind” for their titanic influence on a generation. Sly should be “I want To Take You Higher”. It blew a giant hole in the wall that allowed soul artists to cross into rock paradise.
    I like that you included Petty and Seger. They inch out Pretenders, David Byrne and other All-American 60’s heavies. Great job Andy!

  6. Matt carlson says:

    I respect His favorite. Not the most influential.
    Springsteen wouldn’t be on my list.
    Also, my list would be about musicians ore than pop culture

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